Egyptian sculptures and hidden messages

1 23. 07. 2022
6th international conference of exopolitics, history and spirituality

If you look at almost any sculpture of a distinguished personality of Old Egypt, note one detail: What's holding it in your hand?

It is a cylindrical object that does not appear to be much larger than the width of the human palm.

In jest, it has blown me a few times that it is as if he was pulling a wheelbarrow from the building ... Reality will undoubtedly be different. Unfortunately, egyptologists do not have a meaningful explanation for this - except perhaps the winged phrases: "... serve for religious purposes," which is the same as when they openly say to you, "I do not know about it at all."

Another particular is the attitude of the persons depicted. They always have their left legs moved. One explanation says it is a statement of deep respect for the feminine principle. In a way this idea corresponds with other attributes that can be seen on sculptures and wall reliefs. Woman always embraces man in a way that says in her body that she is dominant here.

The highlight is everything depicting people on the walls of temples, where most of the characters have left hands. (It should be noted that not at work. :) One guide at the Sakkar Mortuary Temple once pointed out this phenomenon to me in particular. When I asked him why this was so, he insisted that the author was mistaken and made both hands of the monarch. Fortunately, it is certain that the left was rather the guide, because he did not manage to notice during his certainly many years of practice that this is a phenomenon that is quite common in all temples.


So why is it? The ancient Egyptians respected the matriarchy, but not in the sense that women ruled over men, but as a way of thinking, feeling, experiencing, and functioning society. A woman is the originator of life, just like Mother Earth. Rather than matriarchy, one could speak of the cult of the female creative principle.

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